Cassidy Sheehan

Recent Scholarship on Harriet and Sophia Lee’s The Canterbury Tales: Influence on the Gothic and Beyond

Portrait of Sophia Lee (1750-1824) (1797)
Engraved by William Ridley (1764-1838), after Thomas Lawrence (1769-1830)
Wikimedia Commons

[pullquote align=”full” cite=”” link=”” color=”” class=”” size=””]chiefly to indulge the pleasure I always found in writing; yet, it must be owned, not without a latent, and (author-like) an increasing, hope that I might be fortunate enough to please the public [/pullquote] In 1797, Harriet Lee (1757-1851) published four short stories, which marked the beginning of her and her…

National Museum of Women in the Arts Exhibition: Salon Style (29 Jan. 2016-22 May 2016)

Self-portrait in a Straw Hat (after 1782)
Élisabeth Louise Vigée-LeBrun (1755-1842)
Wikimedia Commons

From 29 January 2016 to 22 May 2016, the National Museum of Women in the Arts will exhibit Salon Style: French Portraits from the Collection. Salon Style features Élisabeth Louise Vigée-LeBrun (1755-1842), a remarkable woman portraitist whose work was allowed into the male-dominated Salon of the Royal Academy of Painting and Sculpture in Paris on the order of King Louis…

Women Printmakers Exhibition at the New York Public Library

A Child Seated, Blowing Bubbles (1751)
Jeanne Antoinette Poisson, Marquise de Pompadour (1721-1764)
Courtesy of the New York Public Library Digital Collections

The New York Public Library is exhibiting Printing Women: Three Centuries of Female Printmakers, 1570–1900 until 31 January 2016. The exhibition includes engravings, etchings, woodcuts, and lithographs compiled by Henrietta Louisa Koenen (1830-1881) that have not been exhibited since 1901. The collection is supplemented with works from NYPL’s holdings, including material from the Spencer Collection and the Miriam and Ira D. Wallach Division…

Exhibition at the Folger: Will & Jane (6 Aug. 2016-6 Nov. 2016)

Jane Austen (1873)
By unknown
Courtesy of the University of Texas Libraries, The University of Texas at Austin

On 6 August 2016, Will & Jane: Shakespeare, Austen, and the Cult of Celebrity opens at the Folger Shakespeare Library in Washington D.C. Austen scholar Janine Barchas (University of Texas at Austin) and theatre historian Kristina Straub (Carnegie Mellon University) are co-curating the exhibition. Barchas and Straub examine the parallel two-hundred-year cycles of celebrity of literary giants William…

Upcoming Eighteenth-Century Studies Programs

Portrait of Jane Fleming (1755-1824). (1778)
by Joshua Reynolds (1723-1792)
Wikimedia Commons

Keep an eye out for these upcoming eighteenth-century-related conferences and events in the United States and the United Kingdom: The Centre for Eighteenth Century Studies at the University of York will hold the “Difficult Women in the Long Eighteenth Century: 1680-1730” conference on November 27 and 28, 2015. The eighteenth century was a time of profound change for…

Women in Cartography Exhibition at Boston Public Library

A General Map of North America (1762)
John Rocque (c. 1709-1762)
The Norman B. Leventhal Map Center

The Norman B. Leventhal Map Center at the Boston Public Library’s Central Library in Copley Square will exhibit Women in Cartography: Five Centuries of Accomplishments from October 31, 2015 to March 27, 2016. The exhibition features forty cartographic artifacts—maps, globes, atlases, and works of art—made by women from the seventeenth century to the present day. The exhibition highlights…

British Library Exhibition Features 18th-Century British Black Writers

The History of Mary Prince (1831)
Wikimedia Commons

The British Library‘s exhibition West Africa: Word, Symbol, Song explores the literature and music of seventeen West African nations spanning from the Middle Ages to the twenty-first century. Dr. Marion Wallace, co-curator of the exhibition, gives an overview of the writers included in the exhibition in her article “Crossings: African Writers in the Era of the Transatlantic Slave…

Travel Back in Time with Jane Austen

British Institution, Pall Mall, 1808 (1808)
Thomas Rowlandson (1756-1827)
Wikimedia Commons

The What Jane Saw website boasts a new look and, soon, an eighteenth-century expansion. This experiment in digital humanities, created by Austen scholar Janine Barchas, currently features a virtual tour of the first-ever retrospective exhibition of celebrated portrait painter Joshua Reynolds (1723-1792), as seen by Jane Austen in 1813 at the British Institution at 52 Pall Mall, London (1805-1867). Barchas and her…

Keeping Our Bearings: First Cartography Conference at the New Bedford Whaling Museum, November 13-14

Ocean Atlantique ou Mer du Nord (1693)
Pierre Mortier (1661-1711)
Wikimedia Commons

Join the New Bedford Whaling Museum in Massachusetts at their first cartography conference, Keeping Our Bearings: Maps, Navigation, Shipwrecks, and the Unknown, on November 13 and 14, with optional related programming on November 15. Topics range from fifteenth-century navigational tools to nineteenth-century whaling shipwrecks to twenty-first-century wave piloting in the Marshall Islands. ABOPublic readers may especially enjoy “From…

Salvage from the Slave Ship São José at the Smithsonian’s NMAAHC

A view of the Cape of Good Hope, taken on the Spot, from on board the Resolution, Capt. Cook. (1772)
By William Hodges
Wikimedia Commons

Iron ballast and a wooden pulley block from the slave ship São José-Paquete de Africa are on a ten-year loan to the Smithsonian’s National Museum of African American History and Culture (NMAAHC), courtesy of Iziko Museums and the government of South Africa. These items will be on display for the NMAAHC’s inauguration in Fall 2016. The  São José was a Portuguese slave…